THE WHITE ROOM is a piece that questions the principle of society. How is a society formed? How does it evolve? And above all, what is a society? What is the place of the individual within the group and what influences do they exert on each other?

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THE WHITE ROOM is thus a symbol. It represents an impersonal and sanitized place that evolves and takes on color as the individuals who make it up change. It sometimes becomes a place of learning, sometimes a place of war. It builds itself to finally destroy itself and metamorphose into a new place. Whatever it is, THE WHITE ROOM remains inexorably the scene of the movements that agitate its members, both actor and spectator of their evolutions.

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Note of intent from the choreographer:

"At a time when the term "societal problems" are becoming a leitmotif of the international press, I seek with the piece THE WHITE ROOM to redefine what the term "society" and above all, "living in society" means, with the desire to leave the abstraction of the term to refocus it on the human. The human who is at the heart of this society and who shapes it as much as it shapes them. A creative work around society is above all a work around the psychology of the human being and their history and in this sense, this piece is thus completely in line with the line of research developed in my choreographic work. An axis nourished by the many and recent societal changes.

If the theme is serious, the piece also borrows from poetry, lightness and hope. This is what drives me to the development of this work: the hope that this piece about society will allow the public to dream of a better society. That it will allow them both an awareness of the current situation(s), and a projection in their ideal world, to thus initiate small changes in their daily life in order to achieve a better way to live all together. This piece is both a reflection on societies and an invitation to tolerance".